This edition of Brave Murder Day is presented on black 180gm vinyl.

180 gram audiophile vinyl Insert.

This was the record that definitively turned Ministry from an electro-industrial dance band into a cutting-edge metal act. With distorted vocals, pounding drum machines, and ripping guitar chords, songs like "Thieves" and "Burning Inside" merged computer technology with metallic riffology, setting the pace for dozens of second-rate computer nerds to follow. 

Limited edition of 1,500 individually numbered copies on orange coloured vinyl.

Comes in a gatefold cover.

- 180 gram audiophile vinyl

- Insert

20th anniversary release plus bonus tracks.

First Time available as a stand-alone vinyl release. Includes a bonus LP containing bonus tracks previously included on Life Is Killing Me, the original European limited edition CD release.

Triple Gatefold Sleeve. Includes Full color two panel insert with lyrics and background notes on the album. Green And Black Mixed.

Limited Edition 25th Anniversary Marble Vinyl.

All in all, an essential release for all fans of dark gothic metal.

Limited Edition 30th Anniversary Marble Vinyl.

Ministry successfully combined industrial heavy metal and electronic beats with a punk attitude. The Land Of Rape And Honey was their breakthrough album released in 1988, which laid the foundation for a series of successful 'tech metal' albums that appealed to alternative audiences all over the globe. Drawing heavy on the sampler, synthesised sounds and thick layers of distorted guitars, this group preceded highly successful acts such as Fear Factory and Nine Inch Nails. Highlights on The Land Of Rape And Honey include the songs 'Stigmata', 'The Missing' and 'Flashback' all examples of the band's distinctive signature sound.

A new pressing of the 180g heavy weight double vinyl edition of Katatonia’s 1999 studio release.

A potent fusion of atmospheric rock and metal, Night is the New Day was the 2009 studio release from Swedish titans, Katatonia.

White vinyl in a gatefold cover.

Comes with 4-page lyrics insert.

More than any other artist to emerge from the fertile black metal scene of the early '90s, Ihsahn has firmly established himself as an unpredictable maverick.

Orchestral 2LP Black Vinyl.

Released in a gatefold sleeve, with a printed inner sleeve with lyrics. Limited to 300 copies. Dark Green vinyl.

Side A : This Is Heresy / Jesus Where's The Sugar / Wretched Mankind / The Third Antichrist MMXX

Side B : Erection / Ten Thousand Hundred Times / Incendiary Lover / Window Pain / Tragedy

- 180 gram audiophile vinyl

- Gatefold sleeve

- Hype sticker

- 4-page booklet

- Including etched D-Side

- The 14th studio album by Britain's Gothic Doom Metallers

- A monochrome miasma of morbid and melancholic anthems

- Featuring the tracks “Beneath Broken Earth”, “No Hope In Sight” & “An Eternity Of Lies”

- Limited edition of 2000 individually numbered copies on smoke coloured vinyl

Bridging the gap between UNKLE, Bohren & Der Club of Gore, and timeless soundtrack compositions, the trio here have made a quite astounding collection of tracks, as unique as they are captivating.

Comes in a gatefold sleeve. Includes download code.

140g Clear, Solid Blue, Black mixed.

Released in a gatefold sleeve, limited to 250 copies. Red vinyl.

NATT is a new instrumental band from Bergen. The songwriters behind the music are René Misje (Krakow, Trust Us) and Roy Ole Førland (Lindy-Fay Hella, Kari Rueslåtten, Malignant Eternal); Misje handles guitars, bass, piano and synthesizers while Førland handles synthesizers. They are joined by bassist Lord Bård and Enslaved drummer Iver Sandøy on drums and percussion for the studio session.

By now, Von’s impact on the development of black metal is undisputed, and their work is universally praised. Shortly after the release of Von’s “Satanic Blood” demo, the members of Von shifted their focus to another project that would come to be known as Sixx. The obscure “Sister Devil” demo, the only recording produced under the Sixx moniker, represents a distinctly different approach to music, but retains, nonetheless, many of the same elements that characterize the style of Von.