Following in the footsteps of their 2018 demo “Through the Burial Bog” and 2020’s MLP “The Gate of Grief,” BOG BODY has transcended the cultic guts of black metal’s early forefathers with a subsonic war doom incursion for their debut album that’s as much a dirge as it is pandemonic fervor, traversing beyond the seracs and into the crevasses of black death.

Minimalistic drone/doom is a hit-or-miss kind of genre.

Ten songs of dread and defeat, strammed and sung in solitude by one of heavy metal's most heralded independents!

Led by talented multi-instrumentalist Chris Black (Nachtmystium, High Spirits), the Chicago retro-metal band's fifth album is a concept album about a warrior who wants to kill the sun.

"Heavy Metal Is The Law..." 

2011 release from Andrew Curtis-Brignell AKA Caina. His unique vision has been described as a mix of Burzum, Mogwai and the Red House Painters, or as if 4AD, Mute, or Matador had released a black metal album. Hands That Pluck is Caina's most ambitious work to date. Epic, progressive and visceral, it is a culmination of years spent developing an idiosyncratic sound.

2014 release, the fifth album from the Canadian Dark Ambient/Experimental duo. 

“Universal Death Church” sees LORD MANTIS with a new sense of purpose and focus. More developed and immeasurable, vast and towering, “Universal Death Church” continues the doomed and blackened depraved metal paradigm that has become the signature resonating palpitation surrounding the LORD MANTIS sound. 

With their latest opus “Obsidian Katabasis” Italian doom metal cult FUOCO FATUO have implemented their most towering, suffocating, darkest and most abstract work yet.

Hailing from equal parts Texas and Philadelphia, 2018’s ‘True Blue’ demo was gloomy and cavernous while weaving infectious hooks at every turn. Not too much sooner after, the group completed production on their Profound Lore debut “Despair Anthems”. The album features production from Jeff Zeigler (Kurt Vile, Nothing) and Ryan Schwabe (Big Thief, Algernon Caldweller) that remains both raw and satisfying throughout.

With their debut album “Reflections”, GODTHRYMM have unleashed a colossal slab of heavy, mournful, yet pounding traditional doom that harks back to the classic era of ‘90s UK doom/Peaceville Records.

“Elegy”, a foretelling of a post-human world, explores themes of loss, grief, and the dawn of a new ecology through the eyes of a lone wanderer. The last human grieves the end of humanity, reflecting on the temporal insignificance of man and the sixth extinction caused by the Anthropocene – the end of our kind brought about by our own hubris, greed, and desire for power over one another. “Elegy” marks the third chapter in the trilogy, which explores our relationship to our world by reflecting on our past, present, and impending future. 

Long-running UK doom/death band INDESINENCE have always been one of the premiere UK doom/death metal bands over the near-15 years since their inception. Not since the very early days of the “Peaceville Three” (aka Paradise Lost, My Dying Bride, and Anathema) has a doom/death metal band in the UK created music with such quality and class as INDESINENCE have.

An introspective, mournful journey, deeply rooted into the unknown.

With their new album “Never Forever” France’s cult extreme doom metal band MONARCH! continue their singular style of punishing ritualistic drone doom and take it even more towards melancholic territory with their new CD.