“Iniquitous Barbarik Synthesis” is the follow-up to 2017’s “Blight Upon Martyred Sentience” and presents itself as the most unnatural, abnormal, and nightmarish IMPETUOUS RITUAL offering yet.

Formed in 2014, HISSING had already made quite the reputation as a force to be reckoned with on the West Coast through various live appearances (which included a major US tour with Sunn 0))), impressions made with their 2015 demo, and most notably with their 2016 self-titled 7” EP released by Southern Lord along with last year’s massive split with Sutekh Hexen (Flenser).

ABRUPTUM’s monumental third album, the only ABRUPTUM album solely written and performed by IT (RIP).

Black vinyl edition limited to 400 copies. Housed in a single-pocket jacket with clear spot-gloss printing on the cover. Includes a 12x24'' foldout poster and a download code.

“Iniquitous Barbarik Synthesis” is the follow-up to 2017’s “Blight Upon Martyred Sentience” and presents itself as the most unnatural, abnormal, and nightmarish IMPETUOUS RITUAL offering yet.

Released in a gatefold jacket, designed insert and download card.

Progressive black metal from United States.

An ideal and seamless myriad of what a modern-day death metal offering should embroider, “Annihilism” takes the VACVIUS sonic paradigm to a level beyond anything they’ve previously done. With the masterful production courtesy of Greg Chandler (Esoteric) in his Priory Recording studios with final mastering via Dan Lowndes, “Annihilism” benefits from an exemplary death metal sound which holds an archetypal aesthetic on what makes “Annihilism” such a dense and complex, yet escalating and suffocating work of true death metal artistry.

By slowing down both their creative process and the tempo of the music itself, Bell Witch digs even deeper into their long-standing focus: the way life spills on inside its minuscule container, both eternal and fleeting, a chord that echoes without resolution.

Double LP gatefold jacket with download card.

By slowing down both their creative process and the tempo of the music itself, Bell Witch digs even deeper into their long-standing focus: the way life spills on inside its minuscule container, both eternal and fleeting, a chord that echoes without resolution.

Third full-length LP from ASH BORER presents itself as the band’s most transcendent and powerful offering yet. Time-stretching enveloping vicious ambient otherworldly black metal this time produced by Randall Dunn, “The Irrepassable Gate” sees ASH BORER take their blueprint of virulent black metal artistry to a whole new plateau of invincibility.

I.R. creating a much more depraved, violent, torturous and malevolent audial canvas like no other band in extreme death metal today. 

For fans of Wolves In The Throne Room, Wayfarer, Vanum, Panopticon, Falls Of Rauros.

GERYON is a two-man NY-based avant-garde technical prog-death metal band comprised of one half of KRALLICE, namely bassist/vocalist Nicholas McMaster and drummer Lev Weinstein.

Raw, cold Canadian BM.

In reaching the album closer "The Paradigm Mirror", the dust begins to settle yet a great tension remains, inviting us to reflect upon vicious cycles of the human experience and how we can escape them. 

For their fourth full-length album “Emergence”, Denver, Colorado doom-prog band DREADNOUGHT follow-up their 2017 “A Wake In Sacred Waves” acclamation with an album that takes their singular multiplex and pictorial sound to new sonic realms even more heavily textile, complex, and vastly designed. 

Helmed by founder Justin DeTore (aka DFJ), “Philosophical Collapse” emerges as INNUMERABLE FORMS’ most triumphant work as alongside DFJ, guitarists Chris Ulsh (Mammoth Grinder/Power Trip/Devil Master) and Jensen Ward (Iron Lung), drummer Connor Donnegan (Genocide Pact), and bassist Doug Cho deliver an opus that coalesces the old school Finnish death metal cult of the early ‘90s and the early ‘90s UK doom glory (Anathema, Paradise Lost most notably).

CONSUMMATION is the brainchild of vocalist/guitarist Craig Young (ex-Impetuous Ritual) who is joined by drummer David Hayley (Psycroptic) and bassist/guitarist Joel Rademaker. Alongside the central CONSUMMATION trio, “The Great Solar Hunter” also features guitarist John Gossard (Dispirit/Asunder/The Gault/Weakling) among its ranks, Gossard lending his lead guitar work to this colossal work in helping to elevate it to and even darker, more warped and epic plateau.

Combining elements of horror-film soundtracks, psychedelic doom, and atmospheric noise, INSECT ARK is comprised of Dana Schechter (bass, lap steel guitar, synthesizers) and Ashley Spungin (drums, synthesizers). INSECT ARK’s intensely visual music weaves interludes of fragile beauty with crushing passages of swirling doom, spinning like a backwards fever dream. “Marrow Hymns” is a wordless song, a hypnotic voice that screams and whispers from a place deep in the furrows, from the bones, from the blood.

Instrumental psychedelic doom duo Insect Ark have creating uncomfortable sonicscapes that feel both intimate and icy cold since 2011. Nightmarish horror film-like visions, outer space travel, and gritty noir textures – all of this and more have been conjured up in their past records, the much-praised Portal / Well (2015) and Marrow Hymns (2018), but now, something even bigger is coming. Prepare for The Vanishing.

Demon Solar Totem captures the spirit of ancient Darkthrone, Thorns and Beherit imbued with old-English occultism and the chanting of sacred sound formulas. Otherworld Black Metal eeriness for a deep dive into spectral realms.